Thursday, February 14, 2008

The Seine River in Paris

Whether seen by a long, leisurely walk or from one of the many excellent tour boats, the view along the Seine in Paris is a delight.

The river flows nearly 800km (480mi) from Dijon through Paris and into the English Channel. But even the short section through the city provides enough sights to satisfy the most discerning traveler.

La Tour Eiffel can be seen changing shades from cocoa to gold as dusk fades to dark. The lights along its four pillars melding into the spire are only one of the many sights not to be missed.

Joining the left and right banks (the 'rive gauche' and the 'rive droit') along this ancient river are bridges themselves no stranger to time.

The oldest extant is Pont Neuf, ironically called 'the new bridge', whose first stone was laid by Henry III in 1578. Continued during the reign of his successor Henry IV in 1598, the construction was an enormous undertaking for the time. Finally completed in 1607, the bridge itself is, in a sense, older than France. At the time, the country was still split into fairly independent regions, such as Burgundy, Champagne and Normandy.

One of its newer cousins is the Pont d'Austerlitz constructed from 1854 to 1885. Comprised of five cast iron arches with a span of 32m (105ft), it rests on four piers and two stone abutments. (Abutments are the supports for the ends of a bridge.) The bridge has been widened twice from its original 13m (43ft) to the present 30m (98ft).

But not only youth and age are represented along these shores. Elegant beauty, in the form of the Alexander III, is also here. Opened in 1900, the bridge connects the Grand Palais on the right bank to the Invalides on the left. With pillars decorated by a gilded bronze Pegasus and large lampposts encircled by cherubs and nymphs, the Alexander III is among Paris' most artistic public works.

The many tour boats provide another way to see the sights. Some are small, others larger, but they all offer a relaxed way to see the bridges and parts of Paris from another point of view.

The visitor can enjoy a glass of wine as the lights come on along the Montparnasse. The larger boats even offer lunch or dinner. From the uncovered flat boats tours are given in English and French. Several glide as far as past the Eiffel Tower and back past Notre Dame to Quai Henri IV.

Accessible from the center of the Pont Neuf, just walk down to the tip of the island, to Square du Vert Galant.

Once you've completed the boat tour, don't forget about the other attractions. From the exit it's just a short walk to many other things to do and see.

Just down the bank is one of the finest art museums in the world, the Musée d'Orsay. And there are several small galleries and shops along the way. Be sure to walk down the stone steps to the river itself and see the bridges from underneath as well.

Enchanté!

Domus Aurea: The Golden House of Nero in Rome

One of the more recent attractions in Rome is actually one of the more ancient. The Golden House of Nero, what remains of it, has been excavated and the ruins are now available for public viewing. Though re-discovered during the Renaissance, they were the subject of a massive restoration project near the end of the 20th century.

Constructed in 64 AD after the devastating fire that burned two-thirds of Rome (at which legend has it Nero fiddled), the Golden House is an archaeological treasure trove. At one time many parts were covered with gold foil and the ceiling festooned with ivory and jewels by the extravagant emperor. Alas, these are not on display. They were stripped from the palace shortly after Nero's death.

The original palace and related structures covered 350 acres that included a man-made lake, vineyards and the house itself. Terming the villa a house, however, is misleading. It contained 300 rooms, but is thought to have had no sleeping quarters. None that were intentional, at least. No doubt many passed out where they were during the parties for which Nero was famed.

It was the original site of the huge statue Nero had made, bearing his own likeness of course, that was later relocated to outside the Colosseum. The bronze base of the 40m/130ft statue can still be seen there.

Though much has been destroyed over the centuries, there still remains enough to satisfy anyone looking to spend an interesting hour or two tour in a cool place. That's always welcome in Rome, where the temperature can be in the mid-80s even in late October.

The underground, audio-guided tour offers enormous, fresco-covered vaults and many rooms to explore. The frescoes painted by Fabullus, a noted artist of the period were executed in a style popular in Pompeii, the doomed city not far from Rome.

The Renaissance artist Raphael used them as models for some of his own work, and many Renaissance artists - including Michaelangelo - went to visit the (then) newly discovered palace frescoes. Both artists left their signatures scratched in the walls, to be later joined by such luminaries as Casanova and the Marquis de Sade.

The tour shows a wide variety - some areas are shadowed ruins with barely visible carvings. Others are fully restored golden and marble walls with largely intact paintings and fireplaces.

Grottos abound in the underground area, but the most impressive portion is unquestionably the Octagon Room. Here Nero, a great fan of Greek art, housed a statue of the Dying Gaul, which can now be seen in the Pallazo Altemps museum.

Outside, there are gardens and a reconstruction of the octagonal room that allow the visitor to clearly imagine what living there must have been like.