Montmartre of Paris!

Montmartre is a fascinating mixture of old and new, seedy and sacred, bizarre and blasé. Within this section of Paris, technically the 18th arrondissement, there is everything from Moulin Rouge and Musée d'Erotisme to the Sacré Coeur Basilica. There are several art shops, a Dali museum and even a winery.

(Note: An 'arrondissement' is a district, laid out around Paris clockwise, with the 1st at the center of the clock face.)

There are steep hills in parts, so be prepared for a hike, particularly up to the Basilica. But there are cobblestoned streets, too, with antique shops and 'bistros'.

The word 'bistro' comes from the Russian meaning 'quick'. It was first imported in the early 19th century by Cossack occupiers who wanted to be fed immediately. Everything from frogs legs to Tarte Tatin is served at spots as old as 1793 in the Place du Tertre.

At the Espace Montmartre one can view an original Dali etching and browse to the glares of the staff. The museum houses Dali sculpture, lithographs, drawings and even some furniture pieces.

For a different art experience visit the Musée de Montmartre. This 17th century house holds apartments once occupied by Renoir, Utrillo and other famous names. Renoir's Galette, sold at auction in 1990 for $78 million, was finished here. Among other works, there are several original Toulouse-Lautrec posters on display.

And while you're thinking of Lautrec, don't forget to visit (at least the outside of) Moulin Rouge. Very pricey ($100 or more), with a floor show garnering mixed reviews, the windmill on the exterior is a photo-op not to be bypassed.

About 20 minutes walk from the Sacré Coeur Basilica, there are several other nightclubs in the area, as well. Beware the Pigalle neighborhood, though. It constitutes one of the seedier areas around.

By contrast, the Montmartre cemetery located in the eastern part of the district, is a pleasant park nearby. Tree-lined and festooned with flowers and dotted with benches, there are tombs and mausoleums galore.

And if you visit in mid-October you might even be able to catch the Grape Festival not far away. Hosting the only vineyard in Paris, Clos Montmartre (at 12 Rue Cortot) was planted in 1933 and has 2,000 vines under cultivation. Most varieties grown in France are represented and the wine lover won't be disappointed.

For those who like a hike, start at the Abbesses Metro. Take a few minutes to enjoy the Art Nouveau awning and the mosaics around the door of the Eglise St Jean l'Evangéliste.

While you're nearby, visit the crypt in the Chappelle du Martyre (at 9 Rue Yvonne-Le-Tac). The first Bishop of Paris, St Denys, is laid to rest here at the site where Loyala, the founder of the Jesuits, took his vows. (Open only on Friday.)

Most will want to finish their visit with a trip to the Sacré Coeur Basilica at the top of the hill. Whether standing on the white steps or up in the dome, the views are spectacular. Go early to avoid the crowds and the heat.

Montmartre is accessible via several metro (subway) lines. M12 (Lamarck-Caulaincourt) or M4 (Chateau-Rouge), Blanche station, etc. Anything which leads to the 18th arrondissement.

Barcelona, the city of Gaudi architecture

The architect Antonio Gaudi (1852-1926) didn't create Barcelona. The city is over 2,000 years old and the famed artist was active around the end of the 19th century. But much that is worthy in this Spanish city is the result of his efforts. Just a list of the works he created that are still extant here would fill pages. To describe them would take volumes.

Unquestionably the most well known of his buildings in Barcelona is the Sagrada Familia, otherwise known as the Temple of the Holy Family. The structure almost defies description. Part neo-Gothic, part neo-Baroque it is sui generis. A series of spires topping a church begun in 1883, it is still under construction.

The Park Guell on nearby Montjuic, completed in 1914, is one of the architect's civil engineering projects. It is a 20-hectare expanse filled with lush greenery and art objects that visitors to Central Park in New York would envy. Whether it's the outstanding lizard sculpture or the famed enormous wavy bench, or just a touch of mosaic tile here and there, the distinctive Gaudi look is clearly evident.

Another structure almost as well known and as often visited is the Casa Milà, or La Pedrera (The Stone Quarry). Originally designed as a private home, it quickly evolved into a set of individual apartments. The organic, undulating balconies give the facade its unique look from the street, but the organic Gaudi elements are everywhere in and on the structure. From the ice-cream cone-shaped chimneys to the seaweed-style wrought iron to the hushed, glowing attic, the building is Gaudi throughout.

Several other structures of the man regarded as the Father of Spanish Art Nouveau demonstrate his worthiness to that title.

Casa Batllo, erected in 1907, is one of the many Gaudi buildings on the UNESCO World Heritage list of worthy treasures that prove the point. As in the Casa Milà, the architect's unusual style is readily visible. The balconies that almost resemble sections of skull around the eye sockets combine with a colorful mosaic-like facade that seems to be melting. The curved chimney complex set in front of an orange clamshell roofline is yet more proof of his unique style.

Gaudi employed organic shapes everywhere, but always adapted them to his own purposes, just as the better known Frank Lloyd Wright always did. That is clear in the Colonia Guell chapel. The unique arches bear the stamp of this unusual artist. Festooned with organic carvings, the arches themselves are sharp angled, yet blend seamlessly into a main structure that appears almost cavelike.

In a city full of outstanding architecture, Gaudi's work continues to be frequently visited by locals and tourists alike. A single glance at any of his buildings makes it easy to see why.

The Uffizi Gallery in Florence

It's rare for an art museum to have too many masterpieces to display. That happy fate befell the Uffizi Gallery in Florence when the last of the Medici, Electress Anna Maria, willed the entire family collection to the gallery in 1743. The results, collected over several centuries, provide a view of one of the finest treasure troves of art anywhere in the world.

The Uffizi occupies a building originally intended as office space for the Grand Duke Cosimo I (1519-1574). 'Uffizi' in Italian means 'office'. The gallery itself was completed in 1581 from a design by Vasari, under the sponsorship of Cosimo's son, Francisco. Gradually, the Medici transferred more and more works here, creating the world's first public art museum in 1591.

Many art museums start with a small, sometimes outstanding, collection of privately collected works. Here, as with everything they did the Medici - rulers of Florence off and on for generations - packed them in by the cartload.

Works are presented in chronological order, giving viewers the opportunity to see the whole panoply of Renaissance art in the manner it developed. That display constitutes not just an education but an experience of a lifetime.

Among the works here are the famed Venus by Botticelli. The Ognissanti Madonna by the late Gothic master, Giotto, is on display. It is kept company by The Madonna and Child with Two Angles, by Lippi, along with hundreds more equally great works. Raphael's Madonna of the Goldfinch resides not far from a Bacchus by Caravaggio.

One wall holds the Venus of Urbino by Titian. Another displays the Baptism of the Christ by del Verrocchio. Michelangelo's Doni Tondo is one of the lesser works in this superb collection. Da Vinci's Annunciation is just down the corridor. The famed Mannerist painting, The Madonna of the Long Neck by Parmigianino resides in the Uffizi.

Outstanding as that portion of the collection undoubtedly is, there is much more to the Uffizi than Italian Renaissance works of the masters.

Rembrandt's Self-Portrait as an Old Man is one example. The Adoration of the Magi by the great German master, Albrecht Dürer is yet another. El Greco, Goya and Velasquez are all well represented.

Many later works are on display, too, including over 250 self-portraits one of which is of Chagall who handed his to the curator personally. Works by Ingres, Delacroix and Rubens can be seen in the narrow corridors. The museum also holds almost 1,400 miniatures, second only to the collection in the Victoria and Albert Museum in London.

The Uffizi remains one of Florence's most popular attractions. In a city full of outstanding art, both indoor and out, that is quite an achievement. When so many outstanding artists are represented in one collection visitors will be offered more than can be seen in one afternoon. To view the collection, then, and actually see it, will take some planning. During the summer it can take several hours to get in without a reservation. Therefore, booking well in advance is vital.

But the small effort will be richly rewarded. Nowhere else in the world is there quite this comprehensive display of so many fine works.

A visit to Maison de Victor Hugo in Paris...

'Maison' is French for 'house'. In this case the word is slightly misleading. While no palace, though sited in the Place des Vosges - originally known as Place Royale - the site is no simple domicile. These sprawling apartments were the home of the famed writer between 1832 and 1848. Hugo fled from the revolution in that year.

Hugo was the author of such well-known (if less widely read) works such as Les Misérables and The Hunchback of Notre Dame. He also penned lesser known, but far superior works, such as Ninety-Three and The Man Who Laughs.

A treat even for those with only a passing interest in literature, the Victor Hugo museum is chock full of drawings, mementos, 19th century furniture and more. The Chinese salon from Hugo's house on Guernsey has been relocated here, as well.

The square outside the house is a delightful beginning. Lined with brick houses, arcades and a garden, it's easy to imagine the author approaching along cobblestoned streets.

As he neared, he would have seen (as visitors can today) a large red and white brick facade atop several large arches. The top of the house displays classical Greek ornamentation typical of the period.

Inside, along with first editions of the writer's works, is a painting of his funeral procession at the Arc de Triomphe. At the time of his death his fame and popularity were so great that millions came to mourn his passing.

There are also portraits of his family. Alongside are drawings and documents showing the life story of Hugo and the many artists he knew as friends. Balzac and Dumas, Paganini and Liszt, Musset and many more dined here. Even Dickens and the Duke of Orleans paid visits.

Inaugurated as a museum in 1903, several years after the author's death, the layout is not exactly as it was during his lifetime. Much of the furniture was auctioned off in 1852.

Nevertheless, the second floor apartment bears a great resemblance to what it was then. It is easy to imagine the great writer at his desk, where his inkwell and handwriting samples can still be seen. Here he wrote several of his masterpieces, including Ruy Blas and Songs of the Twilight.

The rooms also house works displaying the author's lesser known talents, such as original drawings and photographs. There are even items of furniture designed by Hugo, who learned the craft working in the theater.

Exiting down the creaking staircase and out again to the Place des Vosges, be sure to have a croissant on a bench and take your time viewing the many buildings of the Marais district.

Constructed during the early 17th century there are nearly 40 large 'maisons' here. Viewing them, one can easily forget that modern bustling Paris is only a few blocks away.

The museum is easy to get to via the metro (subway). Exit at Chemin-Vert, Saint-Paul or Bastille.

The Romun Forum - A center of political and cultural life

Located in a valley between Palatine Hill and Capitoline Hill, the Forum Romanum is one of the foremost archaeological sites in the world. Long before the first millennium the forum was the center of political and cultural life for the Roman Empire.

Under construction for centuries, by the 7th century BC it was already a major part of Roman culture. It grew into final form under Octavian, son of Julius Caesar in the decades around the beginning of the first millennium.

Composed of a dozen temples, arches and other structures, it was rightly called the Forum Magnum (the Great Forum) by those who had many to choose from. Built on drained marsh land, it provided a focal point for commerce, legal administration and social interaction for the citizens and rulers of Rome.

The structures fell into ruin after the Roman Empire collapsed in the early part of the 5th century AD, parts of it being used in the Middle Ages for grazing cattle. But with the re-birth called the Renaissance it was rediscovered. A long restoration effort began in the Age of Reason at the beginning of the 18th century and continues to this day.

Today, echoes of its grandeur can still be seen around the large complex of buildings.

Archaeologists and others have relined its paved streets, picked away the debris of centuries and opened the forum to the public. The facility is far too large to be seen in one day, but even a small sample of what's there is enough to give visitors a good sample of what was the glory of Rome.

The Temple of Venus and Roma is just one example of the massive scale at which the Romans executed their public projects. A huge temple designed and built by the Emperor Hadrian, it sits atop a plateau facing the Colosseum.

The Temple of Concord is equally impressive. Dedicated to peace, it was completed in 367 BC on the western end of the Forum. Once a repository of statues made of gold and silver, it remains a shining reminder of what the builders of Rome could accomplish.

There are many more. The Temples of Saturn, Castor and Pollux, Vespasian and several others all demonstrate the vision made real by the Roman emperors and their architects. But there are many structures besides the temples as well.

Arches, invented and perfected by the Romans and not improved on for a thousand years, line many of the walkways. The Arch of Titus and the Arch of Septimus Severus are only two out of many outstanding examples.

The Rostra, from which politicians made speeches, is still in evidence. Standing beneath it one can easily be transported back to a time in many ways very similar to our own. The Lapis Niger, or Black Stone, is a shrine that shows another aspect of the endless creativity of the builders. The Via Sacra, a shrine connected to it, is yet another.

No one can truly be said to have seen Rome until they've spent at least a day wandering around the grounds of this magnificent monument. It may just provide a needed reminder of what can be accomplished, and how easily it may be lost.

Notre Dame - The timeless symbol of France

Second only to the Eiffel Tower as the recognized symbol of France, the Cathédrale Notre Dame is both a tourist destination and a working church.

Built between 1163AD and 1345AD the Gothic masterpiece remains today one of the world's great structures. The enormous interior can seat 6,000 at the base. But, for many, the major attraction is the 387-step climb to the top of the famous towers.

Once reached via that winding, narrow passageway the visitor enters a large area dominated by a huge church bell and spectacular sights. From here it's easy to imagine the fictional Quasimodo (the Hunchback of Notre Dame) ringing the 13-ton bell and clambering on the gargoyles around the perimeter.

The near-360 degree view of Paris and the close-up views of the many statuary make the climb well worth the effort. Take care coming up, though. There's no guard rail and traffic runs both ways. Those coming down often cling to the wall, while climbers risk the outer edge on the steps.

Seen from the exterior, the building represents one of the pinnacles of High Gothic architecture. There are gargoyles, yes. But there is also the huge round window centered atop the west entrance, and magnificent high arches flanking the sides. Two more rose windows reside on the north and south faces.

The facade is festooned with the carvings of the many craftsmen who worked on the structure over the centuries. The west front alone contains 28 statues representing religious figures throughout history.

Entering the church is equally an uplifting experience. The high, rib-vaulted ceilings and the many stained-glass windows give the interior an appearance that awes, no matter how well prepared the visitor. Though in many ways typical of the period, the design is nonetheless staggering.

Here it's easy to picture the slaying of the medieval Bishop or the 1804 self-crowning of Napoleon or the return of General de Gaulle at the end of WWII. The 7,800-pipe organ alone makes a visit worthwhile.

It's nearly unthinkable now for the cathedral to not exist.

But for a time during the 19th century the fate of the church was very much in doubt. The structure had fallen into disrepair over the centuries and there was serious discussion of tearing it down.

Victor Hugo wrote his famous novel in part in order to call attention to the history and value of the building. His efforts, joined by several other well-known artists of the time, resulted in a renewed interest and the building was restored.

Reinstating the unusual triforium and the small clerestory windows in the east bay of the nave were only two among many efforts in a project begun in 1844 and lasting 23 years.

Notre Dame is easy to find from the Saint-Michel or Chatelet-Les Halles metro (subway) stations.

Just cruising along Port Vell, Barcelona...

Barcelona is a city by the sea, the Mediterranean Sea to be exact. Like most coastal towns its history and ambiance are affected by that fact. For centuries the harbor was the scene of seafarers and townspeople bustling about on the traditional business that takes place at any port.

But Port Vell fell into disuse over the generations. Its warehouses fell empty, its railroads less traveled, its industrial buildings grew quiet. Fortunately, like many coastal towns such as San Francisco and Boston, Barcelona saw an opportunity to revitalize its seaside area.

In an ambitious urban renewal effort lasting years, the wharf became a yacht basin, the buildings transformed into shops, an IMAX and an aquarium. Its rail lines became walkways for the thousands that now throng the area every year. A coastal road was even moved underground to enable visitors to walk safely from one exciting offering to another.

The Maremagnum is one major attraction. This new wooden pedestrian bridge is more than just a walkway over space and water. It is itself a thing of beauty. It is an artistic and practical connection between the Rambla de Mar and many of the shops, theaters and restaurants that dot the area. Behind it lies the IMAX and the outstanding aquarium.

Like many in larger cities, the IMAX offers an enormous 3-D screen. But there is also a flat screen IMAX and an Omnimax. Here, visitors can take advantage of any of the three different shows that play continuously. There are discount tickets available that will get you into all three events.

The aquarium is the largest attraction of the area and its popularity is well deserved. With 8,000 aquatic animals, including a dozen sharks, this 1.5 million gallon facility will delight animal lovers of all ages. One section offers an 80m/262ft long observation tunnel. Along the glass walls you can see hundreds of native deep sea species, as well as the sharks.

South of the Maremagnum lies the Aduana building. The structure was erected in 1902 and served as the customs house. It now provides an outstanding sight for visitors who want to get a feeling for turn of the 20th century architecture in Barcelona. Nearby, stretched along the pier, is Barcelona's World Trade Center.

Even the sea sights will be of interest to many visitors. The upscale yachts and sailing ships are a delight to the eye. One can often see them moving gracefully around the sea just off shore. Take a boat tour and enjoy a view of Barcelona available nowhere else in the city. The peaceful cruise provides a nice contrast to the bustling waterfront.

Then take a stroll up the road a short way and spend some time viewing the Monument a Colon (Columbus Monument). The explorer is memorialized on top of a 60m/197ft column in the form of a statue that points toward the sea.

The monument, erected in 1888, resides at the site where the great man landed in 1493 after his discovery of the direct sea route to America. It is located in the center of the Placa del Portal de la Pau (Square of the Gate of Peace).

Enjoy an afternoon of sunbathing and dining or catch a show. Go cycling or rollerblading then have a cool drink at one of the many bars. Port Vell is easy to find. Just walk east until you hit a very large expanse of blue-green water topped by an azure sky, or take the Metro to Drassanes.

Appreciating the Piazza del Duomo in Pisa

The Leaning Tower of Pisa may be the most famous landmark of this Tuscan city. But, there are many other stellar sights to see in the Piazza del Duomo where the tower is located.

Scattered around lush green lawn lie some of the world's finest architectural achievements. There's the famed campanile, of course. But there is also the Duomo or cathedral itself to which the leaning tower is 'merely' a bell tower.

Begun in 1063, over a hundred years prior to the tower, the cathedral is the very prototype of late Romanesque architecture in this area of the world. With a floor plan in the standard shape of a cross, it is 100m (328 feet) long by 35m (115 feet) wide. Though not enormously tall by contemporary standards its 34m (112 feet) height would have been extremely impressive to citizens of its day.

Approach from the usual entrance and you'll see magnificent bronze doors, decorated with religious scenes that would have been fully familiar to its visitors. Carved in the 12th century by Bonanno, they're known as the Porta di San Ranieri.

There are Moorish influences around the building as well, owing to the Muslim traders the Italians did business with frequently. The cathedral was the first structure to incorporate horizontal stripes of marble of the sort commonly seen in Moorish architecture.

Some of the rounded arches provide a setting for outstanding mullioned windows. The carvings are so delicate it's difficult to believe they could have been accomplished at the time. Marble inlaid with Moorish lozenges at the top, they're truly works of art in themselves. 'Lozenges', in this style of architecture, resemble the shape of the cough drop, hence the name.

Regrettably, a fire in 1595 AD destroyed much of the original art work in the interior. But the building itself bears few traces of that tragic event. Among the outstanding surviving components are the 14th century pulpit with Corinthian columns resting on lion statuary. It's festooned with carved panels depicting scenes from the New Testament of the Christian Bible.

Above the apse lies a copy of a bronze griffin (a winged lion), believed to have been imported from Egypt in the 11th century. The original was moved to the nearby Museo del Duomo. The transept door sports Romanesque panels depicting the life of Christ that are a marvel to this day.

Another survivor of the fire is the tomb of Emperor Henry VII completed in 1315. Atop it are a pair of Ghirlandaio angels that visitors should be sure not to miss.

According to his student, it was within this church that Galileo watched a pendulum swaying back and forth one day. This was one of the keys to his formation of the law of the pendulum, which states that the period, the time of swing, is the same regardless of the angle it starts at. It forms the basis of many clock designs.

Looking up at the frescoed dome it's easy to imagine the famous scientist becoming distracted away from the sermon and toward the stupendous building.

Peace and quiet in Rome at Villa Borghese

Like every metropolitan city, Rome is a bustling, buzzing hive of outdoor activity. While much of that is naturally a source of excitement for tourists, there comes a time when anyone will want to find some peace and quiet. No spot in Rome could serve that purpose better than Villa Borghese.

Moderate-sized by some standards, the Villa Borghese is 148 acres (80 hectares) of greenery containing aviaries, museums and a stunning artificial lake. A vineyard in the 16th century, Cardinal Borghese had it transformed into a park with geometric landscaping ala Versailles. A villa, whose design was based on a sketch by Cardinal Borghese himself, was later constructed.

By the end of the 18th century an artificial lake had been added in the center, which contains a small Ionic temple dedicated to the God of Healing.

Aviaries held several exotic bird species like peacocks and ostriches for the Borghese's viewing pleasure and gazelles once graced the gardens.

Donated to the Eternal City at the turn of the 20th century, it had grown to hold several temples, fountains and numerous sculptures. Among the latter are the original Tritons from the Fountain of the Moor from the structure in the Piazza Navona. The ones currently in the fountain are 19th century replicas.

The park, open to the public for 100 years, holds many other delights as well. At certain times of the year visitors may be fortunate enough to catch one of the many horse-jumping events in Siena Square. The Piazza di Siena amphitheater is sometimes used for outdoor concerts and there is a botanical garden. Nearby is a beautiful 18th century arch, the 'Arco di Settimio Severo', a stunning example of Baroque architecture.

There's even a small bar located in the middle of the park where a hungry visitor can have some authentic Italian pasta or sip a Campari. Not far from there are several pavilions built for the 1911 World Exposition representing many countries.

But unquestionably, much of the impetus for tourists are the many museums housed on the grounds.

The Museo e Galleria Borghese, for example, has on display several sculptures by Bernini, the artist responsible for many of Rome's famous fountains. Among other pieces, Bernini's Abduction of Proserpina by Pluto is here. The gallery also holds many paintings by masters of the Renaissance including Titian and Raphael.

Also on the grounds is the Museo Nazionale Etrusco, housed in the Villa Giulia. The villa derives its name from having been built as a summer residence for Pope Julius II in 1553. As the name suggests, the museum contains a number of Etruscan works excavated from the hills outside Rome.

Located north of the Spanish Steps, the entrances are above the Piazza del Poppolo and the Porta Pinciana at one end of the Via Veneto. The Villa Borghese offers tired tourists the perfect respite in a busy holiday. Spend a half-day or longer, fully recharge and prepare to take on the incomparable Roman nightlife.

Disneyland in Paris!

Affectionately known as DLP by Mouseketeers the world over, Disneyland Paris is a cornucopia of rides, restaurants, exhibits and all out fun for everyone. And in the last few years the fun has been doubled as Disney added the Walt Disney Studios park to an already jam packed adventure.

Many of the traditional rides from the California theme park were recreated (with some French twists) at the park and resort only 32 kilometers (19 miles) outside Paris.

There's the familiar Pirates of the Caribbean, on which the recent films were based and the love-it-or-hate-it It's A Small World ride, along with dozens more. The Legend of the Lion King show regularly sells out, so get tickets in advance.

The Star Tours in Discoveryland is both entertaining and educational. Disney can put those together like no one else! There's also the extremely popular Big Thunder Mountain in Frontierland that just has to be visited twice.

Space Mountain Mission 2 opened in April, 2005 and - as if it were possible - is even better than the original. Several of the rides have been updated since the park's opening in 1992 and they just get better and better.

The new Buzz Lightyear Laser Blast is launching and, as usual, version two is a shiny improvement over the already great Anaheim offering.

The park even houses restaurants that, in true French style, offer some of the best meals anywhere. The steaks at The Steak House are thick and the wine bottles bottomless. The service is a joyful blend of Gallic pride and American efficiency. The buffet at Chef Mickey's is plentiful and delicious and the kids will enjoy the Disney characters dancing around.

To round out the trip there are, of course, tons of shops and small exhibits of the sort familiar to Disney fans everywhere. And nearby is the Val d'Europe shopping mall with dozens more.

Part-owned by Disney, there's a large grocery store/department store (Auchon) 'at the Val' and lots of food choices. There's even a local Sephora for those who want to bring back a bottle of genuine French perfume.

If needed, parents can rent a stroller at the park and there are baby changing facilities. The Baby Care Centre on Main Street, USA provides facilities and supplies.

Hours change depending on the season, with slightly longer hours during the summer. They change from time to time, so check the website at http://www.disneylandparis.com.

Since queues can be long, it's best to get the 1-Day Passport pass that allows unlimited entrance and exit access to one park for the day. There's also a 3-Day 'Hopper' Passport that allows access to both parks and the days don't have to be consecutive, but it's pricey. Of course, the one day isn't cheap either. Check the website for current prices.

Getting to the park is easy. From Paris take the RER Line A – Marne-la-Vallee/Chessy Station. From the Charles de Gaulle or Orly airports, the VEA shuttle service offers direct rides to the Disneyland Resort Paris hotels every half hour.

Enjoy!